Conference Papers
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History of Art Institute, NOVA University, Lisbon, Portugal. The Art Market and the Global South: 21 to 24 November 2019. How Validation Patterns Have Limited South-Centricity in the Contemporary African Art Ecology
University of Bayreuth, Germany. Iwalewahaus. FAVT: Future Africa; Visions in Time. November 8, 2015. Archival Drag: Embodying the Future and Past through Dress
University of Johannesburg : The Archive in Practice: Photographies, Identities, Positionalities, Subjectivities: 18 to 20 March 2015
‘Archival Drag’: embodying history through dress
Public Access: Johannesburg’s 2nd Conference on Public Art: 16 – 18 November 2012
Acts of Counterpenetration performance in Joburg’s Inner City
University of Johannesburg: Pointure: Pointing, Puncturing, Weaving and Lacing in Art practice and Textual Discourse - 15 August 2012
Redressing: Activating performative and performance states through dance and dress in Nandipha Mntambo's Paso Doble
University of Cape Town: Gordon Institute for Performing and Creative Arts: Exuberance 11 - 13 May 2012
(Re)Quoting the Masters: Dandyism and the pathology of excess in South African art and culture
Oxford University: Mansfield College: Fashion Conference – 22 - 25 September 2011
Against the Machine: The ‘Smarteez’ fashion a new post-apartheid identity
Rhodes University: Synthetic Dirt Colloquium – 23-25 April 2011
Spatial tourism: ‘Interspatial Commerce’ in Contemporary South African Art
University of Johannesburg: Space, Ritual, Absence: Liminality in South African Visual Art – 9-11 March 2011
Inside-Out: Unravelling the cultural positioning of Moshekwa Langa’s ‘Skins’
Iziko South African National Art Museum: Beyond the Racial Lens: The Politics of South African Documentary Photography, Past and Present – 18-21 August 2010
Circling sights of Trauma: Representations of Abjectness in Contemporary South African Photography
Rhodes University: Colours Colloquim – 27 – 28 March 2010
The Politics of Pink in the Art of Lawrence Lemaoana
University of Cape Town: Gordon Institute for Performing and Creative Arts: pre-post-per-form - 20-22 February 2010
Mapping Shifting Fields: Exploring the Modes and Tools of Critical Analysis for Interdisciplinary and Performance Art
Accredited Journal articles and essays:
Sartorial Excess in Mary Sibande’s Sophie – Critical Arts, Special Edition Consumption, Media and Culture, Volume 29, 2015 - Issue 2
Screening Process – Art South Africa, Vol 10, Issue 04, Winter 2012
Performatory Criticism in Action – Art South Africa, Vol 10, Issue 02, Summer 2011
Spatial Tourism: ‘Interspatial Commerce’ in contemporary South African Art – Art South Africa, Vol 10, Issue 01, Spring 2011
Inside Out: Unravelling the cultural positioning of Moshekwa Langa’s ‘Skins’ – Art South Africa, Vol 09, Issue 04, Winter 2011
Beyond the Surface – Art South Africa, Vol 09, Issue 03, Autumn 2011
Displacing and deflecting otherness: the subversion of the dichotomised framework of self and other in Lawrence Lemaoana's Last Line of Defence - Critical Arts, Vol 24, No. 3, November 2010